CD Review - ‘Midnite Blues Party Vol. 1
- Classic Blues, Soul, Rockers and R&B’
-- by Joe Curtis --
Midnite Blues Party - Classic Blues, Soul, Rockers and R&B, is a delectable assortment of the finest blues, R&B, soul and all-out rockers from the early days of rock ‘n roll, blues and soul. There are 27 specially selected tracks here from the vast and extremely fine collection of Toronto blues collector, Eddy Brake, known to many as the incomparable Eddy B. Eddy’s not just a record collector - he’s a music historian with an eye for the finest of the rarest records available to collect, and most of all to play and enjoy. That’s what this CD is all about … playin’ ‘n enjoyin’!
A local music collector/icon, Eddy B has amassed one of the finest music collections in the world, and has shared some of his finest tracks here, in ‘Midnite Blues Party’ Volume One. Let’s see what he’s got for us. First up is a slow drawn-out blues tune entitled “I’m a Loser”, courtesy of Blue Bull. This tune’s no loser in any way! It laments, but in a groove that can’t be beat. Nite Riders’ “I’ve Been Thinkin’ Pt. 1”, is a soulful, R&B creation, with stimulating vocals. This fine mixture is combined with energetic drumming and tingling Hammond B3 riffs.
Birmingham Junior’s “You’re Too Bad”, is some really rousing upbeat blues, that gets in the groove with awesome vocals, and keeps it that way with some amazing harp playing. There’s ample support here from some sweet guitar licks and rousing drumming. Bobby Long’s energetic vocals scream out “Don’t Leave Me Baby”. He’s backed up by some wild piano playing, accompanied by some fantastic bass and guitar riffs. Long seemingly screams his message out from torn heartstrings -- justifiably so. His rhythm section is sympathetic to his ‘plight’. Randy Hobbs laments the wait for his girl, as “time goes by”, in “Slowly But Surely”. The sorrowful harp accompaniment here speaks volumes of Hobbs’ loneliness.
Little Grier’s upbeat “But You” tells us “nobody else can do but you”, in Grier’s right-from-the-heart vocals, accompanied by some screaming guitar riffs for affirmation. Bob Reed’s “I’m Leaving You” is an upbeat blues tune in the classic sense. Rousing to say the least. Reed’s vocals are incredible, and tell it like it is, to “the meanest woman I’ve ever seen.” The inventive guitar licks in this tune, really move along nicely, and know just when to give Reed ample exposure for his sorrowful vocals. Junior Gordon’s “Call the Doctor” is an upbeat, soulful rocker, that really puts the rhythm in the blues. A great sing-a-long tune too -- complete with rousing sax soloing and drumming, adding zest to this winning combination.
Al Garris’ “That’s All”, is as heavy-duty a party tune as you can get - a quintessential of it’s type. Then it slows right down, slow ‘n downright dirty, with Don Hollinger’s rough, raw and crude “I Had a Nightmare”. Classic blues no finer. Could have been wailin’ right outta the hole of a long-ago slave ship. Some of the finest slow blues around. Not one to leave his listening audience in that fine blues melancholy for long, Eddy B rocks it up fine with Sonny Harper’s rousing “Lonely Stranger”. The kinda tune wakes the ‘dead’, with a spirited rhythm section, smooth flowing vocals, classic harp riffs, and an infectious beat - too bad it has to end. (You have the option of leaving this one on repeat, indefinitely.) But then you’d miss some very fine rockin’ blues like Little Daddy Walton’s “Spend My Money”. Incredible vocals, harp and rhythm section to match; this tune would get any dance floor hummin’, and help keep it that way all night long. (After all, this is a ‘dance party’.)
Jim Sweeney’s “The Buzzard and the Owl”, is a very fine rockabilly, full of energy. Sweeney’s vocals are all you could ask for in storytelling hillbilly rock, that grooves all the way through this swingin’ tune. Clarence Nelson’s “You Make Me Feel So Good”, is a medium tempo rockin’ blues ditty that’s perfect for dance floor fun. The horns in the background, add substance to Nelson’s vocals and solid rhythm section. “Messin’ With the Kid”, is a rare version by Baby Huey. It really rocks it up, and is a very enjoyable diversion from the known renditions of this well-known tune. Very cool guitar licks and bass playing, along with a fine sax solo and excellent vocals help set this version apart from the others. A very groovy, ‘R&B-meets-the-blues’, messin’ jam!
Jay Lewis offers up some slow, soulful blues with “Darling Let Me Know”. Lewis has been hurt by his woman and demonstrates it effectively, in every nuance of his vocals, in this very fine and rare tune. So real it’s uncanny! Luther Thomas changes the mood considerably with his upbeat R&B “Who Slipped Out (When I Walked In)”. This one moves along well. More infectious beat here. If that’s not enough to cure the blues in you, Rollie McGill gets the joint jumpin’ with some heavy duty vocals in “People Are Talking Pt. 1”. Classic upbeat blues, this tune says it all with wild sax and guitar riffs playing off one another; while McGill sings his blues message with fervor.
I wonder if McGill knows Dorothy Berry who’s telling everyone “You’re Driving Me Crazy”. Her vocals are rousing and arousing all at the same time - with a rhythm section that supports her nicely. The pace changes again, some medium tempo down-home soulful blues, courtesy of Percy Welsh’s “Throw This Poor Dog a Bone”. Welsh’s universal lament is vividly depicted, in this piece about ‘not getting’ ‘nuff’. Buddy Lamp’s “Have Mercy Baby”, is the classic ‘makin’ up’ tune. The rousing rhythm section backing up Lamp’s request for “mercy baby”, helps set the mood for reconciliation, with an irresistible ‘dance party’ thrown in for good measure.
Some slow sorrowful blues next, courtesy of Thomas East’s rare “You’re What’s Happening”. East’s girl “looks good to me .. you’re my cup of tea” - so does this tune! Jesse Gee’s soulful, upbeat R&B rendition of “Don’t Mess With My Money”, has a classic theme and a classic beat to match. Gee tells it like it is -- “Don’t mess with my money, or you’re messin’ with me”. Nice horns in the background, echoing Gee’s sentiments perfectly. “Whoop It On Me” is an energetic, soulful ditty courtesy of Good Time Charlie. Look out Mr. Brown, Charlie’s “cold sweat” is hankerin’ to beat the pants off the “Godfather of Soul”, in this very spirited rendition that needs no apologies for being great! Sly but ‘slyer’ … with lots of soul. Willie Jones’ “Where’s My Money”, asks the proverbial question, with urgency in Jones’ vocals, added to with scorching sax soloing.
Little Joe Hinton “understands her heart”, in “Let’s Start A Romance”. Hinton’s vocals open his heart to the girl he loves, in this very true-to-life tune. What else to end this very fine CD with, but with some incredibly rousing guitar playing from Roy Lee Johnson, in “Two Doors Down”. Scorching guitar licks and rousing sax soloing are goin’ nuts here, with some solid drumming, and twangy guitar thrown in for good measure. This is a CD I feel you’ll want to play again and again, whenever you want to enjoy some very fine and rare tunes. All these rarities are courtesy of Eddy B and Electro-Fi’s founder, Andrew Galloway. Galloway’s belief in this project along with Eddy’s superb record collection and good taste, helped bring this impeccable ‘Midnite Blues Party: Vol. 1’ into fruition. Now we can all enjoy these great tunes to the livin’ end -- just like we’re at home with our own very fine Eddy B record collection.
Artist: Compilation/Various
Album: ‘Midnite Blues Party, Vol. 1 - Classic Blues, Soul, Rockers and R&B’
Label: Electro-Fi # 3372
Website: www.electrofi.com
Email: info@electrofi.com
Eddy B website: www.blueheartarchive.com
Eddy B: email: blueheartarchive@sympatico.ca
Conversation With a Blues Legend - James Cotton, Blues Harp King!
-- by Joe Curtis --
I recently attended an awesome blues concert July 26th at the Horseshoe Tavern here in Toronto, Ontario, where I’m from. Blues harp legend James Cotton was here with his extraordinary, heavy-duty blues band. James and the boys really got the packed house full of blues lovers going all night long with some of the finest blues they’ll ever hear. After the concert was over it was my pleasure to talk to Mr. Cotton after his mind-blowing, harp-blowing concert.
Before I had a chance to speak to James, a young guy in his early twenties asked him, “What did your mother call you when you were a little boy?” The question almost seemed like a put down or come-on at Cotton’s expense. James looked down and appeared a little upset, then responded with “She called me ‘Man’!” That insightful answer from Cotton floored me, as well as I’m sure it did the young guy who asked the question.
Finally James (the legend) was free for a few minutes so I could freely talk to him without interruption. I introduced myself to him and was flattered he remembered me from nine months earlier, when he last played the Horseshoe. It was Oct. 12th, only a month after the fateful Sept. 11th disaster that shook the whole world, and will leave it as such. (As a side note, the Stones played a surprise concert at the Horseshoe in ’98 just before their World Tour.)
Joe: James … do you remember me asking you last time you were here if it was true what Donnie Walsh of Downchild Blues Band told me about the time Muddy (Waters) fired you after the Newport Jazz Festival in 1960?
James Yeah I remember!
Joe: Can you go into some details about how and why it happened?
James: Well … Otis Spann (Muddy’s piano player) and I had rehearsed our harp and piano parts together for “Put a Tiger in Your Tank” based on how the lyrics went. We played it as rehearsed at the concert. After it was over, Muddy came over and told me I played the wrong parts for the song. Otis and I had rehearsed it with the original lyrics to the song. I told Muddy, “We rehearsed it with the lyrics, and you got them wrong when you sang it!” He just looked at me and said, “I’m Muddy Waters and I don’t get things wrong! You’re fired!” Well … a few weeks later Muddy listened to the Chess (Records) recording of that night, and heard the lyrics he sang. He realized he’d got them wrong after all. 31 days exactly, after Muddy fired me, he came to me and said, “C’mon … lets go into the studio!” He never did apologize to me or tell me I was re-hired … that’s all he said.
Joe: Wow … what a great story, and a real piece of music history too! (James laughs a little.) I heard that Sonny Boy Williamson ll taught you how to play harp.
James: That’s right.
Joe: How did that happen?
James: Well … I used to listen to the King Biscuit Hour Sonny Boy had on the radio Saturday afternoons. I played harp along with him on that program, from home.
Joe: How old were you then?
James: I was nine years old.
Joe: How old were you when you decided to play professional?
James: Ever since I was nine years old I knew I wanted to play harp for a living. My uncle took me down to the radio station to meet Sonny Boy one Saturday afternoon. I played some harp for him and he liked it. After that, he took me under his wing and showed me what he knew.
Joe: Thanks James. That’s really great I heard both those stories from you, yourself. You know how sometimes people don’t always get the story right when it’s passed on. I’m glad I heard it right from you, so nobody can say it’s not true!
James had to pack up and get going with the rest of his band, so I shook hands with him and wished him and the rest of his fine band a safe trip to their next gig. It was a real pleasure to have had this memorable conversation with James who is such a nice, down-to-earth person as he is. It was nice also, that I had a chance to touch base again with my friend Mike Williams, who’s Cotton’s guitarist. He teaches at Berklee School of Music in Boston, Mass., when not touring with Cotton, and is an avid music collector, as I am. If you have to see one blues band in the next ten years, make sure it’s James Cotton’s. You’ll always be glad you did!
James Cotton’s website is: www.jamescottonsuperharp.com . It’s well worth checking out too!
-- by Joe Curtis --
Wild ‘T’ & The Spirit, featuring ex-David Bowie guitarist Tony Springer, is MIND BLOWING in all respects, musical and otherwise - a true musical masterpiece any way you look at it. It’s been a true pleasure listening to and reviewing this highest order of musical creations. ‘True Bliss’ opens with some very ‘blissful’ rhythms and rhymes in the very appropriately titled, “Heaven Knows”. Real romantic feelings are vividly portrayed with sincere lyrics like “Heaven knows how much I need you - yes I do”. Guenther Kapelle’s bass lines seem to echo the heart, in a refreshing and meaningful way. Springer’s vocals echo the joy of being in love, and speak age-old characterizations, with the lyrics, “Romeo and Juliet”, repeated as the rapidity of the heart’s pulse would beat. The incredible lead guitar riffs Tony plays here, are complemented by his ‘wall of sound’ guitar rhythms.
The scorching guitar rhythms and raw vocals on “Jungle Love”, would tear the soul of any rock fan’s resistance to animal magnetism; courtesy of Springer’s exquisite guitar work and tantalizing vocals. Wayne Brauer, the CD’s producer, provides some amazing 12-string guitar rhythms on “Jungle …”; while Peter Nunn’s K-3 (Korg CX-3) playing adds atmosphere to the musical proceedings.
“High School Confidential” makes me go ballistic, from Tony’s scorching guitar riffs. This rock frenzy is combined with guest vocalist Carole Pope’s (Rough Trade founder), sharing uncompromising lead and background vocals with Tony -- which hit their mark with precision accuracy. Carole’s vocals cut the edge of juvenile delinquent protest, to the point where all resistance to her overpowering sensuality is useless.
The frantic pace continues with a jazzy, and amazingly rocky premise in the title tune, “True Bliss”. Nunn’s organ playing here, is as scarily to-the-point as any iconic Hammond creation can muster up in its stupendous keys creativity. The ‘T’ master, Tony Springer himself, takes jazz to a new and all-original height of ‘true musical bliss’, with the good taste and inner motivation he provides in the arrangement of “True Bliss”. The jazz-inspired theme continues with “Love’s Holiday”. Springer tells his lady, “baby, you’re the main attraction - don’t turn me down.” Nunn’s K-3 work on this one seems to answer Tony’s request to his main love interest - replying the best way he knows how - with guitar licks so appropriate they seem to talk the talk, and walk the path of true music greatness.
The next amazing musical creation on this heavenly sent CD, is the blues-inspired “Jenny”. Springer tells his girl, “I’ve been missing you baby, for all my life … Oh, Jenny, I’ve got a crush on you.” Say no more Mr. Springer - the girl is yours. Nunn’s organ work here is magnificent - added to this awesome musical mixture is Brian Lass’ drumming, which is creative beyond belief. Springer’s jazzy vocals on “Jenny” blow my mind - this guy can sing circles around some of the best jazz vocalists around, but with a people feel, that grabs the soul without resistance
Tony echoes it’s “Hard To Believe”, with true, soulful spirit. His guitar rhythms jive perfectly with Kapelle’s bass lines and Brian’s drums - they’re as tight as a any band can be. The screaming guitar leads Springer comes up with on “Hard To …” are reminiscent of some Hendrix riffs on “All Along The Watchtower”.
I think my favorite tune on this remarkable CD is “All The King’s Horses”. The ecologically-conscious lyrics in this tune, speak of “acid rain … pushing a button and blowing the world to Kingdom come” -- but also offers a solution as simple and brilliant as “put your weapons down”. The familiar nursery rhyme verse regarding ‘Humpty Dumpty’, has wisdom contained in its meaning, in regards to what’ll happen if we let the world’s downward spiral continue - like Humpty Dumpty, we just won’t be able to put it together again … literally!!!
“You’re The One”, is a beautiful, romantic ballad that tells the girl, “Lovin’ You Is Like A Dream … I can’t tell if this is real” … a true love ballad if I ever heard one. The George Benson guitar stylings from Springer that ripple through this tune, are upbeat and inspiring. Their youthful enthusiasm is mirrored in Nunn’s fabulous K-3 riffs that blend so well with Springer’s guitar work on this very romantic ballad. Canadian jazz legend Guido Basso’s flugal horn and muted trumpet add real class to this incredible jazz influenced tune. What a stellar talent roster!!!!!!!
The momentum slows down, as Tony’s vocals sing love’s lament in “Can’t Get You (Outta My Mind)”. He tells us, “Just can’t get you out of my mind” -- then has the one and only Jeff Healey play out his musical frustration with guitar licks that temporarily alleviate Springer’s solitude. Tony springs back, singing, “I just keep hangin’ on.” The beautiful jazz arrangements on “Can’t Get You (Outta) …” lend a sense of importance to Springer’s dilemma. Healey again entertains us with some scorching guitar licks, that bring this great tune to a rockin’ conclusion
“Happy Song” is an organist’s delight - definitely upbeat and fun. Tony’s guitar licks get in on the fun, letting his fingers go their merry way on the neck of his trademark Fender Strat. Julie Long and Annette Waters sing harmonious background vocals with Tony, effectively conveying the musical concept that harmony in life does exist, and will make us ‘happy’. Mr. Basso’s flugal horn and muted trumpet playing resounds the same happy, upbeat way on this truly ‘happy song’.
As a teenager decades ago, I was very lucky to see the Guido Basso Orchestra performing with clarinet icon Benny Goodman one summer night, at an outdoor concert at the C.N.E. Bandshell in Toronto, Canada. Soon after on another memorable evening at the same outdoor venue, Mr. Basso and his world-class orchestra, performed with the all-time king of all that is drums -- the immortal Gene Krupa. I consider myself fortunate to have seen both these performances, as well as meeting Mr. Krupa. He gave me his autograph that night, and a glossy photo of himself playing a Slingerland drum set - I still have the autograph and the photo. Mr. Krupa was a very friendly, down to earth person, and took time with everyone who wanted to meet him that night. Mr. Basso, along with Moe Koffman, Peter Appleyard, Henry Cuesta and the others in the Guido Basso Orchestra, outdid themselves on those memorable occasions -- as did Mr. Basso again, here on ‘True Bliss’.
In “Hello” Tony says “goodbye to yesterday … hello to today” - a simple premise, but oh so true! Guenther Kapelle provides some very funky bass riffs, as does Nunn’s K-3 playing. Tony sings the guitar leads, blending well with the instrumental leads. The ‘George Benson’ influence comes through clearly here, with Tony’s mesmerizing guitar riffs. Only a guitar master like Springer, could bring this tune to a musical conclusion, with guitar licks that are so brilliant they defy description. Well done, Tony …!!!!
“Midnight Lady” is the final highly enjoyable tune on this masterful work of musical art. Nunn’s searing K-3 riffs, cut through and accentuate Tony’s story-telling vocals. Springer’s awesome guitar solo on “Midnight …” soars through the cosmos of true guitar genius in every wonderfully created note from the hands of a true guitar master at work, as Tony definitely is. The majesty of rock is very much evident on this 7-minute-plus tune - snippets of “Beck’s Bolero” slip in, and are taken to new heights of rock beauty by Springer. Kapelle’s bass lines follow Tony’s lead guitar parts studiously and imaginatively -- demonstrating the special spiritual bond that Kapelle and the others in Wild ‘T’ & The Spirit share with each other on this incredible CD.
‘True Bliss’ is not only the title, but also sums up the feelings I have reviewing this absolutely perfect CD. As Springer would say, This is it - the real deal, baby!!!
Tony Springer, aka ‘Wild T’, has managed to search the depth of his infinite spirit of the muse, to bring upon our sprits, the very essence of rock, jazz, blues and the good soul of a truly good person and fine musician and singer as Tony Springer is. The same can be said of Guenther Kapelle Tony’s long-time musical sidekick, bass player and friend.
I believe ‘True Bliss’ will stand the test of time, and echo good things from good people through the music they love and share with us here in ‘True Bliss’. This same feeling I’m sure is felt also, by the countless thousands of Tony Springer fans, who avidly follow Wild T & The Spirit at live concerts, and in their own spirits, souls, and in their hearts. This CD is a true winner in every respect - I hope you go out and buy it - it’s invigorating to the spirit and soul the way the best music always is. Thanks, Tony, Guenther and the rest of Wild T & The Spirit, for providing such beautiful music to listen to and enjoy - it’s much appreciated!!!!
Special thanks should go to the producer of ‘True Bliss’, Wayne “The Brain” Brauer, as well as the CD’s executive producer and all round good guy (and drummer ‘extraordinaire’), Jon Long. (If there’s a Long & McQuade store near you, be sure to drop in and ‘feel the music’). Special thanks should also go to Jaimie Vernon, president of Bullseye Records Canada for believing in this very worthwhile, creative and highly admirable musical project.
I should mention in closing that all songs on ‘True Bliss’, are either original Tony Springer or Tony Springer/Guenther Kapelle compositions -- except “Hard To Believe” by Brauer/Springer/Kapelle; and “High School Confidential” by Carole Pope and Kevin Staples. Oh, yeah … one more thing -- All percussion on ‘True Bliss’ is performed by “Dirty Sanchez”.
Artist: Wild T & The Spirit
CD: ‘True Bliss’
Label: Bullseye Canada # BLR-CD-4076
Website: Tony Springer, aka Wild ‘T’: www.wildt.ca
Email: gmanbass2002@yahoo.ca
Website: www.bullseyecanada.com
CD Review - Rob Orlemans & Half Past Midnight
- ‘LIVE IN CHICAGO’
-- by Joe Curtis --
Rob Orlemans & Half Past Midnight, are certainly a real eye-opener of true rock/blues talent, in it’s purest, most enjoyable form! Rob and his awesome band hail from The Netherlands, which is to me a mind-boggling and highly musical bit of bluesy reality. Rob’s vocals and hearty guitar energy remind me vividly of a young Rory Gallagher, from his mid-1970s best!
The moment this monumentally live CD hit my player, I knew it was something special. (I felt it when I ordered it too, to review!) The energy contained here in this live performance of Rob and his fine band, Half Past Midnight, is only equaled by the unrestrained, ecstatic (and well-deserved) applause from Rob’s adoring fans! What better locale to record a live blues album in, than in the blues hub of the world, Chicago, Illinois? No better place anywhere … and a band that can do that illustrious, and iconic piece of Illinois real estate true blue(sy) justice!
This truly excellent live CD, starts with a short but fiery guitar solo by Rob, on the classic “Going Down”; (I remember Jeff Beck doing the same, decades ago), followed by his scorching guitar rhythms and raunchy, raw vocals. Drummer Yuri Yeryomin’s talent on the skins, must make many rock drummers envious when they hear Half Past Midnight live or on CD! Piet Tromp’s wild ‘n heavy bass lines add the appropriate body to the band, that helps it soar to the astounding heights it reaches. Refreshing and reassuring in these says of Hip Hop, ‘samples’, etc.
“Give That Thang (Straight Back) To Me” has everything in it that’ll for sure raise the dead … even if they’re not dead yet! Sweet guitar leads and rousing percussion makes this one a must at any party! The party mood continues with “Indian Machine”. This is one of the rockinest dance tunes around. Rob’s guitar riffs create the feel of ‘machine rock’ -- much the same as was done to perfection decades earlier, by rock gods, “Deep Purple”! Rob’s ‘at-his-wit’s-end-to-be-heard’ vocals, speak loudly of the power that rock has, to invigorate and restore one’s higher realm of consciousness, in this weird and wonderful world we live in.
Jake Dawson is the special guest on guitar and vocals, on “Got My Mojo Working”. Ya just gotta have this one on your set list, if you’re playin’ live in Chicago … and these guys truly are live, without a doubt! Rob’s lead guitar riffs echo his approval of Jake sitting in on this one! Yuri’s melodic drumming shows his wildly percussive side here! Everyone in the band seems to get a lot of fun outta “Mojo”! I envision iconic Muddy Waters groovin’ along with Rob et al, with his own ‘mojo magic’ … and maybe Sonny Boy ll, too … snappin’ his fingers to Rob’s groove, (and of course playin’ his immortal harp riffs along with ‘em!)
“How Blue Can You Get” is class ‘A’ slow blues all the way, with Chicago’s own Tommy McCracken singing some of the best classic blues around. Tommy wails of “being downhearted … ever since the day we met”, with true soul and conviction in every word radiating from his born-with-the-best vocal chords! When his words sing out “I love you - I love you” they echo the extreme pleasure it is to hear such fine singing like his! The only regret I have is that I wish I saw McCracken sing it live! I must say that Rob’s lead guitar riffs on “How Blue…”, and Piet’s bass lines, are some of the best I’ve ever heard -- and I’ve heard a lot!
“The Devil Told Me”, has some very SRV overtones to it’s feel, in Rob’s exquisite guitar work. He’s well supported by Yuri on drums and Piet’s pumpin’ bass lines … ‘devilish’!!! “Strange Things” starts with Yuri’s drum solo - then goes into a very Bo Diddley-like rhythmic guitar beat. Rob’s vocals are raw and ‘strangely’ piercing, with lyrics like “Frankenstein … the Vampire’s comin’”! Another drum solo by Yuri seems to captivate the crowd’s interest again.
“Buzzin’ King Bee” (“buzzin’ around your hive”) evokes the sensuality of the blues in Rob’s emphatic vocals and guitar leads -- along with echoes of approval from Yuri’s skins technique, and Piet’s heavy duty bass lines. There’s some real rockin’ blues ‘insanity’ on “The Harley Song”. Rob and the boys cry out “We Love Our Harley”, with conviction - Rob’s leads on “Harley ..” are power rock at it’s best!
“Mean Green” is a medium tempo blues excursion. One of those meditative ‘higher realm’ winners, that speaks from the true soul of the blues! A tune like this either makes or breaks a blues musician - in this case Rob’s vocals soar with sorrow, as does his guitar work, and the supreme talents of the others in Half Past Midnight! Rob’s leads are so definitive they can bring tears to the eyes, if extreme control is not exercised! ‘Brother John’ Kattke’s Hammond B3 solo sneaks in with added tears of emotional joy due to his talent on the ivories. Mean and sorrowful blues, this is - Rob is in firm control with his other-worldly leads … take it away Rob!!!! Orlemans ends this one, letting us know “everyone’s lookin’ for that ‘mean green’” (except him)!!!
Some special guests join Rob and the boys on the encore to this incredible blues performance. The totally appropriate and respectful (to its composer, Willie Dixon) “Hootchie Coochie Man” takes control - Rob screams musically out to the audience that “the whole world’s gonna know what it’s all about … well I’m here … everybody knows I’m here - I’m the Hootchie Cootchie Man”. McCracken joins in again, singing “I’m gonna make love to ya baby”, complemented by the pulsating exactness of Piet’s bass inventiveness and Yuri’s percussive genius! Jake and Rob both channel some hard-to-believe guitar licks through their bluesy souls, that leave us in need of no more than the perfection heard here from them. Rob’s a great host to the band, as well as to his legion of die-hard blues fans. He went out of his way to introduce the members of his awesome band a few times during this definitive, high-energy blues/rock concert. Rob Orlemans & Half Past Midnight truly are in a super-rock/blues class of their own, that should be seen and enjoyed truly live! But until then, we can all enjoy and revel in rock/blues at it’s awesomely definitive best, here in ‘Rob Orlemans & Half Past Midnight: Live In Chicago’!!!!! You can’t go wrong with a CD this live and this good!!!!!!
** I want to express a special thanks to Rob and his lovely wife Rosie, for supplying me with a replacement CD (all the way from The Netherlands), when my original copy got stolen along with my bike, across the street from Toronto’s landmark El Mocambo blues club. You both are the best - as is this very fine and very live in Chicago CD!!!
Artist: Rob Orlemans & Half Past Midnight
Label: Savage Records # SA-200214
Website: www.halfpastmidnight.nl
Email: info@halfpastmidnight.nl
CD Review: Cosmo St. Clair - Now Blues For Now People
-- by Joe Curtis --
This debut CD, Now Blues For Now People, by L.A.-based blues band, Cosmo St. Clair, is mind blowin’ from beginning to end. It’s high-energy blues, to say the least - a great party CD, for sure! From the first track to the last, this CD really has what it takes! Cosmo supplies all the guitar parts and lead vocals, as well as most of the bass parts on Now Blues ... That’s one reason why the instrumentals blend so well together .. one blues-minded soul that knows where blues is at, callin’ all the shots on the parts played and sung.
Now Blues .. starts off with “Things I’d Do For You” -- (“there is no end to the things I’d do for you.”) A real rouser, guaranteed to please in every way! The Stones’ “The Spider and the Fly”, contains so much rousing blues pleasure in every note, it could almost be classified as ‘musically illegal’, on this very satisfying ‘blues plate special’! Sunny Girl Yoko’s harp parts can really get ya goin’! Spectacular Cosmo guitar leads, vocals and pumpin’ bass lines, along with right-in-the-pocket drums supplied by Rob Klonel, will keep ya on the dance floor, or anywhere else ya wanna rock!
“If You Love Me” (“why d’ya treat me like ya do?”), features more awesome vocals, scorching leads, and wild Klonel drumming. Can’t get ‘no better, no how’! “say you’ll never run, you’ll never stay out late”, sums up this universal sentiment, perfectly! “Down Home Girl” features more mouthwatering Sunny Girl Yoko blues harp, the way it’s supposed to be played - right from the soul! More kick-ass drums, searing vocals, etc. Very impressive! This band knows how to groove, ‘n rock up the blues. Muddy and Sonny Boy 2 would be proud!
“Little Bit”, asks for a “teeny little bit ‘o your love”, but gives 100% all the way! More excellent lead guitar, rousing percussion rhythms, etc. Cosmo’s vocals click on every level. Doug Nahory’s lilting organ riffs help “Little Bit”, be a ‘lot bit!” “Oh Baby, (We Got a Good Thing Goin’)”, rocks it up without constraint. Everything fuses nicely on this tune! Cosmo’s vocals are A-1 all the way .. he’s definitely got a good thing goin’ on this one!
John Lee Hooker’s “Boom, Boom”, is the best you could ask for in this very cool rendition of one of Hooker’s major compositions. (I can almost feel JLH is itchin’ ta sit in with Cosmo’s band!) My fingers are ‘dancin’ on the keypad’ as I’m listening to this all-time blues classic. Scorching leads, rockin’ skins, and very cool Cosmo vocals, send this well-known JLH tune into blues orbit! Just in case you can stand more of the best blues around, Cosmo delivers up more rousing vocals on the classic “Jealous Man”, who’s “crazy about my baby too much!”, and “locks her in her room all night”. This tune is ‘knee-slappin’ good, all the way! The Wiggles Hollywood, better known as Miss Kastle and Miss Elis, echo Cosmo’s ‘jealousy’ with like-minded background vocals, while Larry Rott guests on melodic bottom-end bass lines that really help the energy flow along nicely. More unbelievable Sunny Girl Yoko harp coolness, combines with ‘to die for’ leads by Cosmo … I wanna hear ‘em in my sleep! Cosmo’s invigorating leads and vocals can hold ya in the ‘palm of his hand’, in “Palm of Your Hand”. Sunny Girl Yoko’s incredible harp technique gives strength to this musical winning ‘hand’!
“Sugar Coated Love”, is belted out by Cosmo, accompanied by his heavy-duty rhythm guitar and leads, that spell it out, in no uncertain terms. Like Cosmo says, “she’s a real gone baby, I don’t mean maybe, she’s mine!” - I’m sure The Rockabilly Gods would approve!
The final tune on this unbelievably good CD, is “Got Love If You Want It!” Cosmo’s leads on this tune, seem to spin into the blues cosmos -- where all good blues comes from. The same can be said about this whole CD. In my estimation, it’s one of the best, rousing blues albums I’ve ever heard - a classic in it’s own time! There aren’t enough stars in the ‘rating system’ to do it justice!
Artist: Cosmo St. Clair
Title: Now Blues For Now People
Label: Analog y Digi-tal Recordings # AYD-002-2
Website: www.cosmostclair.com
Cosmo St. Clair email: nowblues1@aol.com
CD sales: http://www.cdbaby.com/cd/cosmostclair
Retro Mail:
Cosmo St. Clair
8424 - A Santa Monica Blvd. #286
Los Angeles, CA
90069
U.S.A.
CD Review - Buzz Thompson & The Honeybees
- ‘It’s Yesterday Once More’
-- by Joe Curtis -
‘It’s Yesterday Once More’ is the second amazing Buzz Thompson CD, following admirably in the footsteps of his highly acclaimed R&B-influenced debut CD, ‘Find Out For Yourself’. Robin Hawkins made the original recordings of ‘Yesterday’ on his brand new portable 24 bit recording studio; that he dropped by to show Buzz and Jeanne Thompson, in the cold, snowy hinterlands of Peterborough, Ontario, Canada. Robin is the guitarist/producer son of Rompin’ Ronnie Hawkins, and is guitarist in Ronnie’s band the Hawks, along with Buzz. They’ve known each other for decades, and share a musical sixth sense with each other, as well as a great friendship. Buzz and Jeanne co-produced the CD, and mixed it at Barry Haggarty’s studio. It was mastered at Silver Birch in Toronto; who’ve recorded Aretha Franklin, the Pointer Sisters, etc.
The title tune “It’s Yesterday Once More” opens this fine CD with Buzz ‘Mr Soul’ Thompson’s soul-drenched R&B-style vocals and guitar licks, which seem to cry out to the stars above. (Buzz also sang all the background vocal harmonies on this track, too). Doug Hewie’s talent on the drums, along with J.P. Hovercraft’s melodic bass lines and Brent Bailey’s heartfelt keyboards help make “Yesterday …” a real winner. (Buzz and Jeanne co-wrote all the superb original tunes on this ingeniously crafted CD).
“Boogie Shoes” picks up the tempo and mood considerably, with some John Lee Hooker-style boogie - complete with some fine delta-style slide guitar provided by Buzz. Hewie’s drumming rocks on this one! Buzz’s vocals belt out “she’s just a cool blues mama, lost in boogie shoes” -- echoed back instrumentally, by the precision Honeybees rhythm section.
Jeanne sings lead vocals on “The Other Side of Zero”. Her story-telling lyrics and country-style vocals, make this a very enjoyable, fun tune to listen to and sing along with. Hewie’s rousing drums blend well with J.P.’s energetic bass lines.
“The Bringers Of The Dawn” is a soulful gospel-influenced tune featuring Buzz on lead vocals, with Jeanne’s strong background vocal input. There’s a ‘Neil Young’ influence felt in some of the vocal harmonies on “Bringers …”. The next tune, “See And Feel” opens with Buzz’s rousing harp playing, which is heard throughout this great tune. Buzz’s lead vocals and captivating slide guitar help ‘drive’ this ‘car song’ along nicely. The lyrics tell us “there’s people wanna tell me how to see and feel” - which speaks volumes in a few musical passages. The pace slows down a bit with “Universal Stranger” -- a country-gospel influenced lament. Jeanne’s soulful vocals figure prominently here, along with Barry Haggarty’s spirited guitar leads.
The mood picks up real fast with the upbeat “Waitin’s, Killin’ Time”. Waylon Jennings’ ‘spirit’ seems to flow through the energetic musical passages on “Waitin’…” - Buzz’s rousing vocals and guitar leads are accentuated to the ‘nth’ degree by Hewie’s energy on the skins and J.P.’s always in-the-pocket bass lines.
“You Have To Be to Become” is a minor key blues tune that’s intriguing on many levels. On one level it’s melodious and relaxing. On another it’s a ‘thinking man’s song’ - delving into philosophy and speculation - making a statement that’s both insightful and well thought out. There’s a deep spiritual feel to “You Have To …”. Jeanne was inspired to write it for Buzz, at Ronnie Hawkins’ birthday party in January 2003.
“Dragonfly Heaven” seems to possess a fairy tale-like surreal quality, due to the imagery in the lyrics, and the ethereal quality of the vocal harmonies and instrumentals. Buzz’s guitar leads seem to flitter like a ‘dragonfly’; which adds to the musical magic on “Dragonfly …”.
“Out There” lifts the mood considerably, with its rousing upbeat party-boogie vocals and instrumentals. Its combination of rhythms and rhymes, are guaranteed to get the soul pumpin’ and the dance floor packed. Buzz supplies some very cool slide guitar, which really adds to the song’s emotional appeal. Hewie’s outstanding talent on the skins, keeps the musical adrenalin flowing well.
“Love’s Gate” features Buzz’s gospel-influenced lead vocals. The beautiful vocal harmonies on this tune are mostly Buzz’s too, with some from Jeanne. They seem to have a very ‘Sam Cooke’ feel to them. The overall effect is much like that of a church choir. Bailey’s organ riffs add just the right touch to complete the vivid musical atmosphere on this Buzz-Jeanne original. “Don’t Withdraw Your Love” is a rousing country-style ditty, with all the ‘lonesome cowboy’ influences necessary to get any ‘cowpoke’ to strut their line-dancing stuff.
The final track on this delightful CD is entitled “Life On The Fly”. It features hip hop-style vocals from Jeanne, complemented by humorous ‘cowpoke’ vocal responses from Buzz. Robin Hawkins’ scorching guitar licks are heard throughout this fun tune. J.P.’s rousing bass riffs, along with Hewie’s energetic percussion, adds to the upbeat mood of “Life On …”. It was written during the recording sessions, while Jeanne was having fun with the vocals. She was unaware that Robin was recording her, which adds to the feeling of spontaneity on this tune. After Jeanne’s vocals on “Life On …” were recorded, the others added the instrumentals, completing this beautifully created CD.
I urge anyone who wants a highly entertaining CD, to add ‘It’s Yesterday Once More’ to their music collection. You won’t be disappointed. Now, as Buzz says in the closing line of ‘Yesterday’, “I reckon I’ll just mosey on outta here.”
Artist: Buzz Thompson & The Honeybees
CD: ‘It’s Yesterday Once More’ # BTHBCD1203
Label: Independent
Website: www.BuzzThompson.ca
Email: saveourspaceship@sympatico.ca
Ronnie Hawkins Official Website: www.ronniehawkins.com
Email: thehawk@pipcom.com
CD Review - Ronnie Hawkins’ Still Cruisin’
-- by Joe Curtis --
Ever youthful, Rompin’ Ronnie Hawkins has a new CD out, entitled Still Cruisin’. The exuberance Ronnie puts into each tune, instills a sense of youthful vigor into this CD -- a tie-in between the ‘50’s when he started out, and the present day. Everything about it speaks volumes about the man, his music and a lifetime of making people feel a special magic in their lives. That magic comes from the love Ronnie shares with each and every person he meets. No rock ‘n roll pretensions in the man or his music! That’s what makes this new Hawkins CD so special … and magic! The vibrancy in the music touches the heartstrings on the opening track “Can’t Stop Rockin’” and never lets up right though to the all-time super-cool, super-slidin’ “Down In the Alley”, which ends off this masterpiece where muse meets Rockabilly God!
Every tune is an excuse to party - evocative of the Hawk, his lifestyle, and his true-to-life image. The first track, “Can’t Stop Rockin’”, was written by Ronnie’s musician/producer son, Robin Hawkins, who produced the CD. It’s energy sets the pace for the whole album. Heavy-duty country/rock at its best - as only the Hawk and his great band, the Hawks can pull it off!
“Friendship” is a slow country/rock duet, sung appropriately by Ronnie with decades-old friend and music biz icon Kris Kristofferson. A bevy of beautiful backup singers including Ronnie’s daughter, Leah Hawkins, helps to complement the Hawk’s magic on this one. A medium tempo country/rock ballad entitled “Blue Moon in My Sign” follows. It features more superb lead vocals by Ronnie, along with angelic background vocal harmonies and sweet guitar riffs. Bazil Donovan from Blue Rodeo supplies the heavy, thumpin’ bass lines on this one, along with some consistently tasteful drumming by The Band’s Levon Helm, definitely adding substance to the rhythm section.
“Isn’t That So” is atmospheric and moody, right from the start. Mindscape images of voodoo witches making magic mojos is easily evoked in the imagination, in this carefully crafted winner. Levon’s harp magic, along with splendid instrumental harmonies, are a perfect blend of talent and musical ingenuity. Add to this beautiful concoction, Ronnie’s dynamic lead vocals, along with some superb background vocal harmonies - then the whole musical picture is completely conjured up for the listener’s pleasure.
“Foolish” is a medium tempo country/rock ballad, featuring Ronnie’s thoughtfully sung vocals, Levon’s irreplaceable drum beats, and some sweet guitar leads. The background vocals are a fitting complement to Ronnie’s vocal laments. “Dangerous” is another moody Hawkins’ offering. The Hawk’s vivid story-telling gift is put to good use, telling us of “a dangerous man .. he ain’t got nothin’ to lose.” Some incredibly mouthwatering slide guitar and leads, adds to Jerome Godboo’s lamenting harp riffs. The background vocals on this one, echo the dangers.
“Five Dollar Fine for Whining” immediately grabbed me in a humorous way, owing to the fact that Ronnie’s famous for fining slackers in his band. On the surface, that might seem uncalled for; but the bottom line is that it keeps the band performing and looking their best, and earns Ronnie the respect he deserves. On another level this beer joint classic speaks of raucous good times with wine, women and song. Helping to enliven the fun-loving atmosphere here are Godboo on harp, and Paul Chapman on bass. Background vocal harmonies are courtesy of Kristofferson again; as well as Hawk guitarist Buzz Thompson, drummer Doug Inglis and keyboard guy Brent Bailey. Also singing backup on “Five Dollar … “ were two lovely ladies and long-time Hawks, BJ Cook and Bev D’Angelo. Buzz played slide and lead guitar and sang background vocals with the Hawks on other tunes on the CD, as did Inglis on drums and Bailey on keys.
“I’m a Lover, Not a Fighter”, (“built for speed”), is a swingin’, upbeat country/rock winner - guaranteed to get everyone up on the dance floor, (and keep them there.) Ronnie’s vocals are humorous in intent. Lyrics like “Rudolf Vaselino”, come right out of the Hawkins School of Comedy. The only thing that comes close to Ronnie’s way of putting a song across, is his ability to deliver a joke .. or several in a row! Scorching guitar leads on “ .. Lover .. “, are complemented by hard drivin’ drums, thumpin’, pumpin’ bass lines, and energetic background vocals.
In regards to Ronnie’s infectious and unique sense of humor, ex-U.S. President Bill Clinton, a personal friend of the Hawk, (and fellow Arkansas native), is known to have taken notes while Ronnie was delivering some of his hilarious one-liners at a private dinner with the Hawk and friends, in late Sept. 2002. I wish I’d done the same, when I was backstage at Ronnie’s recent CD release party in Hamilton, Ont. Dec. 5, 2002.
“Promise Road” is a hard-drivin’ gospel/country/rock ballad, echoing the Southern Baptist Church revival circuit atmosphere. Lots of energy and exuberance in this tune. Ronnie’s driving vocals singing “keep ‘a rockin’, on that promised road”, are added to with incredible slide guitar, Hammond B3 wildness, heavy-duty bass and drums; as well as background vocals oozing Hawk devotion from his Hawks. Deep but simply put lyrics like “you can do what you want, or you can do what you’re told”, speak volumes in a few words, about the Hawk’s wisdom, that’s kept him on top of the music scene for decades.
Ronnie belts his every-lovin’ guts out, singing “If That’s What I Get” in this energetic country/rock ditty. This tune has some beautiful slide guitar supplied by ex-Hawk Al Brisco, with terrific vocal harmonies as well. The guitar and bass are rousing, to say the least - guaranteed to get the dance floor swingin’ ‘n swayin’ right from the start! Sean Verreault, guitarist for Wide Mouth Mason, came in at a moment's notice to sing some great background vocals on this one, as well as on several other tracks.
Big Sugar’s guitarist Gordie Johnson, plays some fabulous riffs on various tunes. Nine of the 11 tracks were recorded at the Hip studio in Kingston, Ont. The other two were recorded at Metalworks in Toronto. Johnny Fay from the Hip, played drums on one tune. “Five Dollar Fine … “ was done mostly in Malibu, with the help of famed music producer, David Foster, (himself an ex-Hawk.) The liner notes thank many talented performers and personal friends of Ronnie’s, including guitarists Domenic Troiano, Buzz Thompson and Donnie “Mr. Downchild” Walsh; as well as long-time friends, Don Tyson, Reggie Bovaird and President Clinton.
This incredible album by Ronnie Hawkins and the Hawks, ends off with the fabulous “Down In the Alley”. Brisco’s slide guitar on this one, really makes it special. Duane Allman’s slide guitar work was featured on the original Hawkins recording, decades earlier. Richard Bell (The Band; ex-Hawk/Janis Joplin) and Mike Fonfara (Downchild Blues Band; ex-Lou Reed/Electric Flag) are both incredible keys players, whose indispensable talents on the ivories were very evident and highly enjoyable on Still Cruisin’. The piano riffs on “Down In … “ are imaginative, melodic and rousing -- adding energy to Chapman’s intoxicatingly throbbing bass lines throughout. Ronnie’s ultra smooth, easy-to-take, story-telling delivery on the vocals, is soothing; while adding mega-hit quality status to this last (and my personal favorite) tune on the CD.
All in all, Still Cruisin’ is an incredibly enjoyable CD from beginning to end. It is well thought out and put together with good taste and a real zest for fun partying, reflective of the Hawk himself, Ronnie Hawkins!!! Get it! Play it! Enjoy it! Leave it on ‘repeat’ for hours! That’s all I can say. The superb quality of this wonderfully crafted CD speaks for itself.
Artist: Ronnie Hawkins
Label: Hawk Records # 0515
Ronnie Hawkins’ Official Website: www.ronniehawkins.com
CD purchases: Mary McGillis, email: thehawk@pipcom.com
CD Review - ‘Live At Healey’s - The Thursday Night Recordings’
-- by Joe Curtis --
‘Live At Healey’s - The Thursday Night Recordings’ is a superb collection of special guest spots at the famous Toronto landmark blues club Healey’s. Healey’s is co-owned by guitarist extraordinaire, Jeff Healey, along with his two partners, Phil Morrison and Stuart McKendrick (who along with Jeff are the CD’s executive producers.) This club is one of the main hotspots for blues and quality rock here in Toronto.
Every Thursday night at Healey’s Jeff and his musical sidekick and long-time friend Jerome Godboo, invite very special musical guests to share the spotlight on their great stage. The lighting’s right … so is the mix; each and every week (and each night or matinee for that matter) that the club’s doors are open to the avid fans that frequent this popular establishment.
Every known blues band around has played here. From Anson Funderburg and Sam Myers, to Son Seals, Omar and the Howlers (with vocalist Brian Templeton), as well as Levon Helm and The Barnburners -- the star blues roster is huge! Some of these bands or stars from these bands have been showcased at the Thursday night special guest spots at Healey’s. One of the most memorable for me was Roy Young, who was piano player for the Beatles in 1962. He also played for Tony Sheridan in Hamburg, Germany back then; and told the Beatles to fire Pete Best and hire Ringo. Roy still rocks his rock ‘n roll piano, and has a new CD coming out soon. (see www.royyoung.com )
Some of the finest local talent on par with the above-mentioned superstars of music, is featured on this rousing ‘Live At Healey’s’ CD. Godboo hand-picked all the talent for the Thursday night guest-spots, along with Jeff’s knowledgeable input. Godboo is an incredible harp player and vocalist. He performs with Rompin’ Ronnie Hawkins when not in his own awesome band. (He’s played for ex-U.S. President Bill Clinton in the Hawk’s band!)
Most tracks on this CD feature Jeff on guitar and Jerome on harp. However, some of these fine tunes only feature the guest bands themselves - the first track, is one of these. “World Gone Crazy” features the Juno Award-winning Michael Pickett Band, with harp ace Michael Pickett on harp and vocals. His hard-driving blues band has performed at Healey’s several times. They play their hearts out at every performance, and it shows on this winner.
The next tune on this fabulous CD is the classic Robert Johnson composition, “Kind Hearted Woman”. It features 11-year-old guitarist/vocalist Jimmy Bowskill. His sincere vocals singing “I really love that woman .. Can’t stand to leave her be”, are sung from the heart. Although still a child (blues prodigy), Bowskill displays true devotion to the blues genre on vocals and guitar. Mike Fitzpatrick plays drums on this one. He’s been on the music scene since the late ‘60s Toronto Sound days, and is now drummer for the Downchild Blues Band. The crowd roars a very live approval in various parts of this song. Jeff’s guitar genius is heard here too, to great effect. He was in Little Jimmy’s shoes at one time, and is helping pave the way for this young blues guitarist and vocalist to carry on the blues tradition as others have before him. “Kind Hearted … “ also features Godboo’s bluesy harp, along with Alec Fraser’s imaginative bass lines. (Fraser is bassist for ex-Muddy Waters drummer, Willie ‘Big Eyes’ Smith.) Jeff felt compelled to finish this classic Johnson tune with some scorching guitar leads. For him that’s as natural as water pouring out of a tap.
Chuck Jackson, vocalist and harp player for Downchild, is the next special guest featured. He sings and plays harp to great effect on a unique and bluesy “House of the Rising Sun”. I’ve never heard a swing-blues version of this well-known tune before. It’s a unique interpretation! Healey’s guitar soloing adds class and charm to the proceedings. Shannon Fayth is a talented singer, who also happens to be one of the beautiful servers at Healeys. She’s toured with Jeff in her own band, and hosts the Healey’s Tuesday night jam. She’s featured on the funky, r&b classic “Feelin’ Alright”; a Dave Mason composition. Shannon’s soulful vocals, along with Jeff’s scorching guitar riffs and Randy Cook’s wild drumming, help this tune go over well.
Some all-out hard-drivin’ blues comes to us, with Joe Turner’s rousing “The Sun Is Shining”. It features special guest Mango Kid, on raw, uninhibited vocals that could wake the ‘blues dead’! Mike Pellarin’s hypnotic bass lines complement Jerome’s soulfully wild harp playing. Both add to the ballistic intensity of Goddo’s Greg Godovitz on rhythm and lead guitar. Damian Orokium’s incredible guitar leads are showcased here too, as are Doug Inglis’ drum intensity. All this great talent combined, sends this incredible tune over the top in a big way!!!
Suzie McNeil supplies some energetic r&b vocals, drenched in soul on “Sexy Ida”. She sounds as powerful as a ‘white Aretha’ in her delivery of this Tina Turner classic. The guitar work on the next tune sounds very much like it’s from the great B.B. King. It’s not however. It’s Jeff again, on vocals and out-of-this-world interpretive guitar licks on “Back O’ Town Blues”. The blues is slow, sweet and seductive on “Back ‘O .. “, the way it’s supposed to be! Jeff asks Jerome a musical question, and he answers it the best he knows how - on some fabulous harp licks that speak the blues from a deep spiritual soul. Jeff comes up with some wild, scorching leads on this tune; perfectly matching his raw, bluesy vocals.
Just when you think you’ve heard it all, along comes a jazzy and very inventive Louis Armstrong composition, “Old Man Mose”. Special guest Jake Chisolm’s rousing vocals and exactingly executed guitar licks, speak volumes about the talent and class Chisolm delivers on this fine song. Terry Wilkins, a local bass legend (ex-Carole Pope), delivers well-conceived and rousing bass lines, along with drummer Al Cross’ intricate drumming and Jeff’s imaginative guitar creativity.
Dawn Tyler Watson is one of Canada’s top blues Divas. She graces the stage next with “Cigarette”. Dawn’s soulfully bluesy vocal delivery is backed up admirably by Jeff’s jazzy guitar chords and leads. Added to this is Pat Rush’s slide guitar wizardry, Gary Kendall’s (Downchild) insightful bass lines, and Tom Bona’s (Raoul/Sue Foley) in-the-pocket drumming. Tyler Viaene’s keys lend substance to this Watson/Ryan composition.
Atomic explosiveness bursts forth with Z.Z. Top’s “She Loves My Automobile”. Big Ben Richardson’s powerful vocals and hard-drivin’ bass lines are the best around -- hypnotic and musically transcendental all at the same time. The high-dynamo dual drumming here is provided courtesy of Eric Paul and Al Webster. No wonder the drums on this tune are so overpoweringly enjoyable. Rush’s scorching guitar riffs here, come from years of playing with some of the best around, including guitarist Johnny Winter and harp legend, James Cotton. Local guitar great Darren Gallen provides some amazing riffs of his own on this energetic rouser. He’s always a pleasure to see on stage, sitting in with some of the top bands around; as well as being lead guitarist in Maple Blues Award-winning Raoul and the Big Time.
Edgar Winter was a special guest at Healey’s on one occasion. Although he’s not included on this diversified and well-planned-out compilation, his big hit song “Frankenstein” is! It features Rush’s rousing guitar riffs, Big Ben’s brash bass lines and more of Gallen’s guitar excellence. “Frankenstein” is one of the best rock songs to come out of the ‘70s, and still holds its own -- as ably proven here.
“Voodoo Child” is the final live tune on this awesome CD. It features Jeff’s Hendrix-inspired wawa pedal guitar riffs and scorching, interpretive leads. Jerome sings the vocals on this one, with heart and soul. Godovitz and Gallen supply some incredible guitar riffs of their own here. Inglis’ drumming expertise outdoes itself, as does JJ White’s intoxicatingly imaginative bass lines -- Now the ‘club’ of Healey’s ‘All Stars’ is complete!
Artist: Jeff Healey, Jerome Godboo and Special Guests
Album: Live at Healey’s - The Thursday Night Recordings
Label: Independent
Jerome Godboo:
Email: jeromegodboo@yahoo.ca
Website: www.jeromegodboo.com
Jimmy Bowskill (and Jerome Godboo):
Email: MEMSandDREAMS@aol.com
Website: www.jimmybowskill.com
Healey’s:
Email: inquiries@jeffhealeys.com
Website: www.jeffhealeys.com
Location:
Healey’s
178 Bathurst Street
Toronto, Ontario
Canada
M5V 2R4
Phone: 416-703-5882
Fax: 416-703-5268