The Segarini Band Reunion w. Cats & Dogs
at QED MEDIA, Sat. Feb. 11, 2006
-- by Joe Curtis --
It was the great pleasure for this writer and his significant other, to be invited to a private party/concert celebrating a rare reunion of the Segarini Band with special guests Cats & Dogs, hosted at QED Media in Toronto's artistically creative west-end.
Formed in the late '70s by music producer/vocalist/radio personality/ex-Q107 DJ (known as 'The Ice Man') and wit Bob Segarini, http://www.canadianbands.com/Bob%20Segarini.html, this self-named/proclaimed band features all the necessary acoutrements of musical finery - along with all the bells and whistles 'sung in' for good measure!
The vocalists featured -- lead and backup -- are many and varied in their imaginatively arranged vocal expertise. The energetic rhythm section and harmonious vocalists blend well, and are equally adept at keeping the audience in the palm of their hands. This they easily accomplish through their dedication to a quality performance, as well as a oneness they share with the audience that's absolutely refreshing.
The strong vocals presence in both the Segarini Band and C&D, is very much reminiscent of the quintessential late '60s/early '70s 'Toronto Sound' vocal groups like Mashmakhan http://www.canadianbands.com/Mashmakhan.html, and Dr. Music http://jam.canoe.ca/Music/Pop_Encyclopedia/D/Doctor_Music.html,, with internationally renowned B-3 player Doug Riley http://www.thecanadianmusicscene.com/artists/ardougriley.html,. This connection/influence has a tie-in as far back as the early '70s, when Segarini joined musical forces with former Mashmakhan/April Wine drummer Jerry Mercer in the Wackers - a band with a major following during its heyday, that continues in cult status to this day.
The first incarnation of the Segarini Band included producer David Bendeth (responsible for Bruce Hornsby's 'Radio Hits' CD; Jeff Beck's 'Flash' CD; the recent Beatles Anthology, 'Elvis Presley's 30 #1 Hits' DVD, etc.) on guitar, http://davidbendeth.com/discography.asp; (BB) Gabor (Hegedus) on guitar; Keir Brownstone (Parachute Club) on bass and Mark Bronson on drums. The Seg-band's 'Gotta Have Pop' CD featured Mike St. Denis on guitar, Phil Angers on bass and Mark Bronson on drums. Drew Winters joined in on keyboards for this session on "Love Story"; and guitarist Pete Kashur worked on the demo session for "Steady Eddie".
The superb harmonies and imaginative orchestration that figured prominently in those early multi-vocals/instruments bands, is very much a part of the opening act this night, Cats & Dogs http://www.bullseyecanada.com/product.php?product_id=1882, as well as in this reuniting of the original Segarini Band. It's the first time they've been together as a band in 25 years, since March 14, 1981. That's when the Seg-band last appeared together -- at the Nickleodeon (2nd incarnation of rockabilly legend Ronnie Hawkins' Hawk's Nest) .. now Club 279 at 279 Yonge St. above the Hard Rock Café.
This evening's delightful musical festivities began with Segarini's latest musically 'magical' incarnation, figuratively and aptly named 'Cats & Dogs'. Many of gifted members of C&D are also part of the Segarini Band talent roster, and have been with Bib in various bands together throughout the ensuing decades since their inception in the late '70s. Keyboard player Drew Winters, is an outstanding musical force in both bands, with his rousing lead & background vocals and romantic, melodic, energetic talent on the ivories. Mike St. Denis' (Segarini Band) mouthwatering slide guitar and leads were also a welcome sight this night, as were Seg-band's Phil Angers on bass and Mark Bronson on drums.
Another welcome sight, although not performing this night, was keyboard great Roy Young, who back in '62, performed with the Beatles and Tony Sheridan at the Star-Club in Hamburg, Germany, and in 2005 with the Pete Best Band in Toronto. During a brief but engrossing conversation with this writer after the Seg-band show, Young and his wife Carol were bubbling over with enthusiasm over Roy's new band, The Star Combo, http://www.thestarcombo.com/. It consists of band members who originally performed with the Star-Club house band in the early to mid '60s. This illustrious lineup includes Roy on keyboards, Wings sax player Howie Casey and Beatles/Shea Stadium drummer Tony Newman. Roy and Carol seemed equally enthusiastic in regards to the Segarini Band performance, as well as Cats & Dogs. Both of these bands are of the kind that other artists are drawn to on their night off, because of their admiration of the quality of performance they know they'll be entertained by.
Segarini sings many of the lead vocals in both bands, and also adds his clear-as-a-bell singing quality to several background vocal harmonies as well. However. like the true pro he is, Segarini knows just the right time and songs to step back and let others take the spotlight.
Some of these amazing original songs featured the vibrant vocals of Yvonne Way, singing her heart out to the melodic background vocals of long-time Segarini Band/Cats & Dogs guitarist Pete Kashur, as well as vocalists Karen Bell, Segarini and Winters.
Kashur -- a musical mainstay and long-time Segarini friend since the '70s (Segarini Band/C&D) -- is a phenomenally gifted guitarist. His interpretive leads and intricately harmonious rhythm guitar playing, bespeaks the artist/painter he is. His talent on stage is both intoxicatingly entertaining, as well possessing the rare ability to 'sing' a language 'of notes' on guitar all their own.
Kashur's background vocals are equally easy to take, and blend well with the several other fabulous vocals this enjoyed night. These include the strong vocal presence of Yvonne Way (background/lead vocals in Seg/C&D); Karen Bell (background vocals/percussion, C&D) and a new addition - Jade Dunlop, on background vocals during the Seg-band set.
Peter Way is responsible for the blockbuster bass lines in C&D, that are both melodic and hard driving all at the same time - a rare combination, to be sure! Todd Miller took over guitar duties for Segarini in the Seg-band set, due to Segarini's neck injuries, which unfortunately prevent him from playing guitar onstage. (It never showed in his first-class vocals throughout this incredible evening's entertainment). Miller's an imaginative guitarist with great timing, and is an excellent Segarini replacement. Jade seemed to shine on shared vocals with Segarini several times towards the end of the Seg-band's very fine closing numbers, adding to the excitement onstage and in the always-enthusiastic audience response - they never let up all night, and with good reason!
The Segarini Band is like a fine wine that's gotten better with age -- uncorked and ready to be savored for all that it embodies. The musical creativeness this night is rarely seen or enjoyed on this level of professionalism by this writer. The art of creating music just for the love of it, and not for monetary gain, is a not much-found commodity in any musical era. When it's partaken of in its purest, musical form such as this evening's fine entertainment at QED with performances by Cats & Dogs and the reunited Segarini Band - is an experience both memorable and highly enjoyable in equal measure -- a musical tonic for the heartstrings, and elixor for the soul!
For future musical perusement, Cats & Dogs and the Segarini Band are featured artists on quintessentially Canadian Indie label Bullseye Records Canada. The diversity of music Bullseye offers, along with its excellence in quality of music and artists represented (including a live CD from blues great Mainline, among others), is well worth several visits to the Bullseye website. Its president and founder, Jaimie Vernon (also a multi-instrumentalist/long-time bandleader) has gathered together many gifted acts of yesterday and today to enjoy.
The 2004 Bullseye 'Beatles Tribute' CD release (featuring many top Bullseye stars, including Segarini and fellow prolific artist/composer Greg Godovitz among others), was reviewed in internationally prominent Goldmine Magazine's annual 'Beatles' issue in Nov. 2004, by its publisher Wayne Youngblood (also Discovery Magazine publisher). Youngblood's reflective thoughts on this highly acclaimed CD, raved at the quality of this Bullseye 'Beatles Tribute' release, where he enthusiastically mentions, "This is one of the most impressive CD's I've heard this year!" Bullseye also features jazz label great Justin Time Records artist Frank Marino & Mahogany Rush, on a special label-talent-collaboration release, 'Best of Can Con, Vol. 2'.
This night of entertainment at QED Media, echoes Youngblood's 'Beatles Tribute' CD review sentiments in some respects. This live music evening, is undoubtedly some of the most enjoyable this writer has experienced in many a blue moon. (The food was also superb - something like a New Orleans-style all-you-can-eat buffet - compliments of the generosity of Mr. Segarini, et al).
Those of us who attended this very special reunion of the Segarini Band -- also featuring its latest incarnation, Cats & Dogs -- can relive these happy times felt this night, in our memories - a special, nostalgic place where some of the best entertainment and good times, can always be remembered and cherished!
CD review - The Midwest Blues All Stars - ‘Party Time’
-- by Joe Curtis --
The Midwest Blues All Stars ‘Party Time’, is just that – a lively ‘party blues’ CD that’s sure to please. It’s crammed full of all the essential ingredients for a fantastic blues party – including awesome harp playing and inspired vocals courtesy of Jimmy Davis.
‘Party Time’ begins with Willie Dixon’s upbeat “I Don’t Know Why”. It features Davis’ incredible harp playing and full-bodied vocals, added to by his energetic Midwest rhythm section. Another Dixon blues follows, with the classic “Mellow Down Easy”. Davis’ melodic harp riffs sail along with zest, and are accentuated by Vodie Rhinehart’s always-in-the-pocket drumming and
Sam McCue’s screaming guitar leads.
Davis “puts the rhythm in the blues” (as the immortal Sonny Boy ll once put it), with his energized harp playing and vocals in the title tune, “Party The soul and funk contained herein, is good for the soul, as are the hard-driving solos. This is one of two Davis originals included on this very upbeat, energizing ‘party blues’ CD. Rhinehart gives it his all on drums, along with McCue’s rippin’ lead guitar soloing and Sherman Leibowitz’s groovin’ bass lines on this blues winner.
Willie Dixon’s classic “29 Ways To My Baby’s Door” is up next, with Davis’ rousing vocals wailing out the title lyrics, along with his captivating harp playing and Rhinehart’s emphatic drumming. Richard Radbil’s inspired guitar leads join in on the fun, to help this blues classic soar! More Dixon blues follows, with Davis’ rousing vocals singing out “Shake For Me”, complemented by his invigorating harp playing. The Midwest rhythm section grooves right along on this party blues classic, with scorching lead guitar and rockin’ drums and bass.
Davis’ rousing harp intro starts off “Everybody’s Fishin’”, after which he sings out this laid-back message. This is followed by more of Radbil’s awesome guitar leads, with background vocals from the rest of the band echoing back “Everybody Fishin’”, to Davis’ “I believe I’ll fish some too!”
Jimmy Reed’s upbeat “Shame, Shame” is a hard drivin’ blues classic that Davis’ amazing vocals do great justice to. The Midwest rhythm section is fast-paced all the way. Included is more of Davis’ always enjoyable harp playing, and Radbil’s absolutely impeccable blues leads.
Davis’ slow cookin’ blues original, “Chicken A La Blues” is a definitive modern blues classic. Its references to Chicago and its juke joint ‘chicken a la Davis’ creations, is ‘harped’ on by Davis’ mouthwatering riffs that ‘get the smoke risin’ off the grill’. Also featured are Richard Radbil’s sizzling lead guitar main course offerings as well as a side order of
Scott Finch’s Hammond C-2 organ rhythms to complete this bluesy feast for the ears. (Finch also mastered this CD at Velvet Sky Studio in Milwaukee, WI).
Jimmy Reed’s intoxicating blues classic, “You Don’t Have To Go” is the istic finale to this awesome ‘Party Time’ CD. It features Davis’ mesmerizing harp and vocals, along with Leibowitz’s out-of-this-world pumpin’ bass lines. Radbil’s scorching guitar leads add just the right touch, to make this Reed mover ‘n’ shaker reach new heights of true blues
bliss.
From start to finish, this very much ‘Party Time’ CD by The Midwest Blues All Stars has the ‘party spark’ in it, and as such is a must for any and all blues aficionados’ party blues CD collection.
Midwest Blues All Stars website:
http://www.themidwestbluesallstars.com/
For CD ordering, contact Richard Radbill:
http://www.themidwestbluesallstars.com/partytime.asp
Mike Dollins & Cruize Brothers
- 'Mike Dollins & Cruize Brothers - Live'
-- by Joe Curtis --
Mike Dollins & Cruize Brothers 'Live' is truly just that! An off-the-floor live jam that clicked - preserved for musical posterity for those who really dig the truly live 'magic' that happens sometimes, but rarely has the fortunate chance of being recorded.
The Cruize Brothers band features San Diego Bay blues/jazz guitarist and harp player Mike Dollins, sharing lead and rhythm guitar duties with fellow Bay-area guitarist Victor Marquez. Dollins also sings lead vocals on this mostly instrumental jazz blues fusion CD. The superb Cruize Brothers rhythm section is composed of the Enjambre Family Latin Jazz Connection featuring Roy Enjambre, Dominic Enjambre and Roy Enjambre Jr. -- a popular Bay-area combo -- on bass, keyboards and drums respectively.
One fine day in 2003, these artists decided to sit in with one another at the cruise ship terminal on San Diego Bay, thus creating this rousing, live CD. One can imagine the warm California sun, shining overhead, and reflected in the ripples in the water nearby, while this lively jam/concert was taking place.
The first tune -- one of two Cruize Brothers originals featured -- is appropriately titled "Cruize Control". It's a real attention-grabber featuring energetic, wild soloing on guitar, organ and bass; reinforced by incredible jazz/blues guitar rhythms and hard-driving drumming.
"All Right" is a classic blues mover 'n' shaker, featuring Dollins' raw vocals and harp playing, along with some steamy guitar soloing. Added to this blues mixture, is Dominic's great organ soloing - making for an extremely lively party blues classic!
The highlight for this writer, is "Sky Train" -- a superb slow blues winner, that soars to the 'blues sky' with mouthwatering guitar solos that cry out their urgency, and can definitely provide blues aficionados with their 'blues fix'. Dollins sings out "the sky is crying", which is complemented by his 'crying' guitar riffs. Dominic's organ accompaniment is full-bodied and adds much to this tune, as do the jazz/blues guitar rhythms, exquisite piano soloing and Roy Sr.'s beautifully melodic bass solo featured in this awesome winner.
The classic jazz/blues "Summertime" is done in a Latin/Jazz style. This refreshing rendition showcases the Cruize Brothers' Enjambre Family Latin Jazz Connection rhythm section. The electric piano and percussion solos they do, are enchanting, and are complemented by brilliant lead and rhythm jazz guitar and percussion. The guitar leads scream out their intensity, as only a master of the instrument can interpret them -- conjuring images of Carlos Santana walking into the room and 'sitting in'. Memories of the late Janis Joplin's vocals in her classic version of "Summertime", seem to come to mind now, for some strange reason - maybe because Janis' scorching, soulful vocals are the only addition that could ever be included to this extremely well-done Cruize Brothers instrumental version of "Summertime". "Who Been Talkin'" immediately follows, and is refreshing for those who want their blues 'right now, right away'.
"Downtown" is the second of two amazing Cruize Brothers originals on this CD, and is a lively, inventive jazz/blues instrumental, highlighted by incredible guitar soloing with heavy-duty in-the-groove organ, bass and drums accompaniment.
The classic "Stormy Monday" follows, and right from the start it's obvious this rendition will be special, due to the fast-paced soloing intro. Dollins' vocals are smooth, mellow and enjoyable to listen to in this classic blues standard. The jazz-influenced guitar soloing and organ harmonies add a classy jazz influence, which makes this version a classic in itself. Roy Jr.'s drumming is excellent throughout. The guitar solos are well done but not over-done. An inspired electric piano solo occurs just at the right time - then more of Dollins' heartwarming, mellow vocals, along with incredible guitar leads and jazz rhythms.
"Every Day I Have the Blues" is the awesome finale to this extremely enticing live jazz blues fusion jam recorded at the San Diego Bay cruise terminal. The jazz guitar rhythms are a strong reinforcing wall for the amazing leads to build on. Roy Jr.'s drumming is energetic, and inspires some double soloing back and forth between Dollins and Marquez. This energy is sustained throughout this classic blues tune, as well as throughout this entire live and thoroughly enjoyable jazz/blues jam-style concert featuring Mike Dollins & Cruize Brothers.
David Gogo at the Molson Amphitheatre,
Toronto, Ontario, Canada
- Opening For B.B. King, Wed. Aug. 31, 2005
-- By Joe Curtis --
David Gogo is one of Canada’s premier powerhouse guitarists. His explosive energy on stage, is a real treat to see and listen to. His ingenious use of wah wah pedal, coupled with his beautifully melodic, scorching guitar solos, puts him in a class all his own. Gogo’s performance at Toronto’s Molson Amphitheatre, Wednesday, August 31, 2005, was a major stepping stone for this dedicated Nanaimo, B.C. blues guitarist. He was opening for the one and only ‘King of the Blues’, B.B. King. B.B. was celebrating his 80th birthday tour this night.
Gogo began his incredible set with the rockin’ and rollin’ “Things Are About To Change” from his 2002 ‘Skeleton Key’ CD. This really got the crowd going, and kept them there! He followed this upbeat winner with the James Brown classic “It’s A Man’s World”, from his 2001 ‘Halfway To Memphis’ CD. He took this version into a long jam that showcased his extremely soulful vocals and guitar licks.
This absorbing rendition was followed by Gogo’s rousing top 35 rock radio hit “Love In The City”, featured on his 2004 ‘Vibe’ CD. (It’s co-written by Gogo and Tom Wilson of ‘Blackie and the Rodeo Kings’). Becky Abbott added sultry background vocals to “Love In …”, that really fired up David’s ballistic guitar riffs.
Gogo finished his amazing set with the Willie Dixon blues classic “Hootchie Cootchie Man”. It’s from his 2003 ‘Live At Deer Lake’ CD. He really went at it with wah wah pedal urgency on this one. Part way through while the crowd was eatin’ it up, David downed a bottle of beer and then proceeded to play some mind-blowing slide guitar with the empty beer bottle!
The only disappointment for this writer is that Gogo didn’t get a chance to sit in with B.B. King later in the evening, when the King of the Blues wowed the audience, with his own impeccable blues band. However, with talent like David Gogo’s, just to be on the same bill as B.B. King made this much more of a winning night of entertainment for the audience as well as for Gogo himself!
David Gogo’s website:
http://www.davidgogo.com/index.php
David Gogo's setlist for Molson Amphitheatre, Toronto, Wed. Aug. 31, 2005:
1. Things Are About To Change
2. It's a Man's World
3. Love In The City
4. Hoochie Coochie Man
B.B. King with guitarist David Gogo.
on the occasion of B.B.'s 80th birthday celebration.
© T.J. Littlefield
B.B. King at the Molson Amphitheatre,
Toronto, Ontario, Mon. August 23, 2004
A smiling B.B. King in his tour bus,
after his successful Molson Amphitheatre Concert
in Toronto, Ontario, Canada, Mon. Aug. 23, 2004.
-- by Joe Curtis --
B.B. King, the ‘King of the Blues’, played to an almost sold-out crowd at the Molson Amphitheatre in Toronto, Ontario, Mon. August 23, 2004. Molson is an outdoor venue, and has great sound wherever you sit. The lighting and stage setup for Mr. King and his incredibly talented blues band, was a treat to see.
B.B.’s performance began with various horn players taking front stage solos that truly showed the higher level capabilities of blues that could be achieved with these instruments. Melodic sax and trumpet solos came at the audience rapid fire and were very much like the familiar blues solos that lead guitarists often play. These horn solos were a real eye-opener to me, and helped me realize the true potential of these instruments in a way I hadn’t envisioned before. The audience ate it up!
When B.B. appeared on stage, the audience’s applause let him know ‘the King’ was truly welcomed back to Toronto. B.B. standards like “The Thrill Is Gone” were performed with the same freshness that inspired their creation in the first place. His version of “Rock Me Baby” was just incredible! The rhythm section was tight and well rehearsed. Every band member knew his role and played it to perfection.
That same youthful spark was put into every note that ‘Lucille’ sang out of her hour glass-shaped Gibson body. B.B. certainly knows how to bring the best out in ‘her’. Familiar B.B. classics came our way with ease and a whole lot of fun and personality. B.B.’s rapport with the audience was friendly and nonchalant. He came up with a few funny stories to go along with his magnificent performance. His solos were clean and crisp. Every member of the band had a chance to showcase their own musical gifts that night, in solos that really took the blues to higher realms of expertise in performance. Being present at such a professional and highly entertaining evening of blues as this, is rare as well as enlightening - possessing the power to lift the soul and spirit to a more pleasant state of being. That’s what quality musicianship and years of experience entertaining audiences around the globe, has enabled B.B. King and his talented band of blues men to achieve whenever I’ve been fortunate enough to attend one of ‘the King’s’ extremely enjoyable concerts.
Towards the end of the concert, B.B.’s long-time friend Norman Matthews gave some guitar-shaped B.B. King signature lapel pins to fans near the stage. B.B.’s consistently generous like this with his fans, at all of his performances.
B,B, ‘held court’ in his tour bus after the concert was over. Several fans and long-time friends of ‘the King’ of the blues were able to enjoy his company in friendly conversation, and maybe get an autograph from him. B.B. was a gracious host after the show, and shared memories of some of his favorite moments as a performer. One of these great stories B.B. told us was about the time he met Queen Elizabeth ll in England. He mentioned he was very nervous about meeting her, until the ‘big moment’ came. What completely washed away B.B.’s nervousness, was the Queen greeting him with a friendly, “Hi, B. … ”. With the ‘royal ice’ broken, B.B. was again face to face with just ‘another fan’. I feel this says something about the power of the blues and the true love of good music which provides a common denominator that helps people relate to one another.
B.B. King showed himself to be a real gentleman of the blues the evening of his Molson Amphitheatre performance here in Toronto, Aug. 23-04. He consistently treated his fans ‘royally’ onstage and off - musically and in conversation -- which explains why he continues to wear the ‘crown’ as the perpetually reigning (and ever youthful) ‘King’ of the blues.
DVD review - Leon Russell
- ‘Out of the Deep Freeze - The Lost Reels’
By Joe Curtis
Leon Russell fans have a very special treat in store for them with the recent release of the concert DVD ‘Out of the Deep Freeze – The Lost Reels’. These ‘lost reels’ are just that – rare and wonderful lost performances from Russell’s live 1972 performances in Anaheim and Long Beach, California, as well as Charlotte, NC. They’ve been painstakingly restored and blended into one concert performance by film maker Jeff Haas. Through this rare film footage, we can visit the ’72 era of outdoor concerts and psychedelia like a trip through the ‘Time Tunnel’ of 1960s TV fame. It’s just like being there, as opposed to ‘looking back to’ the time when all this was new and groovin’. ‘Deep Freeze’ is a rare and wonderful visual and listening experience filled with hallucinatory-like super-imposed images here and there of Russell and his Shelter People band. It also features superb audio reproduction that mesmerizes and dazzles the senses.
Rousing songs like "I’ll Take You There" are followed by upbeat rebel rousers like "Blues Power". The energy of these tunes and others like the rockin’ "Jumpin’ Jack Flash" retain the ability to jump right out and grab an audience’s attention and effortlessly keep it there in a rarified higher realm of musical enjoyment and appreciation.
Russell’s piano playing is at its best in these concert performances. Don Preston’s wild guitar riffs are complemented by Carl Radle’s heavy, thumping bass lines -- reinforced by the energetic in-the-pocket drumming of Chuck Blackwell.
The soulful background vocals are from three lovely ladies whom Russell has been associated with for a number of years – Wasie Crowder; and sisters Phyllis and Mary Ann Lindsay. Russell’s lead vocals blend beautifully with theirs, helping keep the spirited tempo going.
The concert begins with the upbeat "Tightrope", flowing into the entrancing "I’ll Take You There". Preston’s screaming lead guitar riffs on "Dixie Lullaby" are soul-inspiring. "Queen of the Roller Derby" keeps the wild pace rockin’ and rollin’. The background vocals belt out "Keep On Rollin’" from "Proud Mary", finishing with Leon singing out "Rollin’ Down the River". A very strong Ike & Tina Turner influence is felt here.
"Great Day" features the soulful church-like vocals of Reverend Patrick Henderson, complemented by Nawasa, Phyllis and Mary Ann’s superb background vocals. Blackwell’s drumming excels on this upbeat winner!
Next is a mouthwatering version of "Alcatraz", with Radle’s bass lines driving the adrenalin level way up. (Radle at the time was an integral part of the ‘Layla’ album with Eric Clapton as a ‘Domino’ in ‘Derick and the Dominoes’, as well as performing with George Harrison on ‘All Things Must Pass’). A couple of years before ‘Deep Freeze’, Russell performed with Harrison and Clapton in ‘Concert For Bangladesh’, which also featured sitar genius Ravi Shankar.
Russell 'sweeps through the crowd' in "Sweeping Through The City", while standing on his grand piano, playing some unbelievable lead guitar riffs on his jet black Gibson Les Paul. Russell’s guitar playing is sweet and serene – every note and phrase a message or song unto itself.
Phyllis Lindsay sings a beautifully romantic rendition of "Someday". The close-ups of her face while singing, shows the deep devotion and inspiration she puts into her singing. There are several scenes in the concert featuring Close-ups of Russell as well, exuding the same deeply soulful expression. Leon’s interpretation of the Stones’ "Jumpin’ Jack Flash" transcends to places where only a master music maker like Mr. Russell can take it. At one point in this tune, Russell seems to be transfixed in a mystical religious experience, singing with the fervor of one who is captured in the spirit of his own particular muse. This enthusiasm complemented by more of Radle’s pounding bass lines, continues with a ballistic musical excursion into "Youngblood" -- drifting back into more "Jumpin’ Jack Flash". Russell’s pounding on the ivories in Dylan’s "It’s All Over Baby Blue" is filled with the spirit of a stump speaker at a church social. The audience’s resulting applause is almost deafening in its enthusiasm! Leon then takes it way down low with his romantic interpretation of "A Song For You". He puts his all into it, and can bring tears to the soul. Part way through, vocalist D.J. Rodgers goes wild singing lead vocals. He struts his stuff from one end of the huge stage to the other; getting the crowd going all the way through. Russell’s version of "Amazing Grace" has the power of the Lord in every note and goes from deeply introspective to an exuberant gushing of musical intensity that gets the whole place hoppin’. Russell’s primal screams have me reminiscing of ex-Ronnie Hawkins guitarist Buzz Thompson’s wild vocal yelps and those of soul mate George Olliver. By coincidence Russell got his start playing piano in Hawkins’ band in ’56 as a 14 year old.
This talent is not to be missed, either in this masterpiece of early ‘70s concert presentation on the Deep Freeze DVD, or anywhere this living legend of all that is music, performs in his still incredibly enjoyable and highly entertaining live concerts around the world.
This writer saw Leon Russell perform live in ’72 and again this year in 2005 .. and there’s nothing like it. Nothing like an incredible show the way Leon and his amazingly good band perform .. tight, energetic and always mesmerizing and hard-to-believe good! It’s not often that this writer attends a concert of such monumental importance and entertainment as one that Leon Russell gives .. but this is it. He had it in ’72 on this DVD, and continues in that same vein of excellence in musicianship and likeable personality now part way into the 2nd millenium. That’s the kind of talent that’s a gift from God, as is this very fine performance brought to us through the magic of live film footage and the painstaking restoration of Jeffery Haas and his devotion of showing off Leon Russell at his very best.
To own this DVD is to own a piece of the past that lives now as it did then .. with vigor, life and the best enjoyment and creativity in music there is. Please do yourselves a favor and add this superb live Leon Russell ‘Deep Freeze’ DVD to your collection. You won’t be sorry .. you’ll just be very, very happy you did!
To purchase this Leon Russell 'Deep Freeze' DVD, please contact:
Jeff Haas -- email: jhaas84@comcast.net
Jeff Haas' 'Deep Freeze' DVD website:
http://www.geocities.com/jhaas84_2000/DeepFreezePreview.html
CD review - Johnny Max Band‘ - ride and roll’
By Joe Curtis
The Johnny Max Band recently came out with their third great CD ‘ride and roll’. It’s one of those rare musical finds that can grab the listener right off the bat, due to its intense energy and captivating delivery. This is in part due to Johnny Max himself. His vocals are rousing and filled with determination. The Johnny Max Band knows well how to entertain and get the soul rollin’ ‘n’ rockin’. They also know how to keep the listener in that higher emotional state.
The Johnny Max Band consists of Johnny Max on lead vocals; Kevin Higgins on lead/slide guitar; Uli Bohnet on all basses; Duncan McBain on drums; Martin Aucoin on piano, organ and backing vocals; along with Alec Fraser on backing vocals and ‘canneryisms’ (whatever that is). Fraser produced and recorded this fine blues CD at his award winning Liquid Toronto recording studio.
The first tune on this explosively enjoyable CD is “(Baby) Please Don’t Go”. This is one of the best upbeat party tunes around. It’s one of those rare songs that can get you going anytime of the day or night. The title tune, “Ride and Roll” is one of the rockinest rockabilly tunes around. It’s followed by “Angel of Mercy” - a deep, jazz influenced slow blues, that can touch the soul and emotions. Max’s vocals reflect suffering in their intensity, and are reinforced by Higgins’ hauntingly melodic guitar soloing. “Walkin’ In Jerusalem” features Higgins’ bluesy slide solo, leading into Max’s soulful vocals, ending in more of Higgins captivating slide guitar that seems to speak the lyrics. This is followed by “Long Gone Train”, which possesses long gone soul from a long gone time.
The pace picks up considerably with “Mad At Me”. This is a rockin’ and rollin’ dance tune that’s upbeat all the way! Max’s vocals and Higgins’ guitar solo are energizing, as are McBain’s drumming and Aucoin’s piano solo. They’re well supported by Bohnet’s steady, rollin’ bass backbeat and the whole rhythm section echoing back “She’s mad at me” to Max’s lead vocals, in perfect call and response fashion.
Just when you think you’ve heard all the blues you need for your musical dollar, along comes the mesmerizing “Shake ‘Em All Down”. Higgins’ heavy, slow guitar rhythm and ‘honeybee’-style slide playing helps Max’s intoxicating vocals hit the bluesy bullseye. This song is absolutely superb and faultless. Its hard driving intensity is added to with McBain’s consistent, steady drumming.
Aucoin’s B-3 riffs are the soulful intro to “Mimico Bus”. This is an easy feat for Aucoin’s who’s spent many happy years in soul/R&B band The Lincolns, featuring renowned bassist Prakash John, (ex-Alice Cooper/Lou Reed). Max’s vocals are upbeat all the way in this fast-paced soul excursion.
The classic “Junko Partner” slows things down, Louisiana bayou style. In this rendition Max’s vocals seem to be from a bygone era that’s happily come back. The arrangement is faithful to versions recorded decades ago, yet still retains Max’s own distinct way of putting a song across. The atmosphere in this tune exudes images of snapping gators and crawfish cookin’ over an open fire. Higgins’ mouthwatering slide playing reinforces this imagery, along with more of McBain’s invigorating drumming and Bohnet’s bass lines.
“I Like Women” is an upbeat, soul/R&B tune, which holds a surprise for the listener part way through. Although supposedly the finale to this great CD, three minutes into it, “Women” fades into a slow, hand-clapping vocal solo by Max. He sings some gospel-influenced ‘church blues’ at this point, sounding much like an old southern blues man on his porch in the U.S. deep south, singing out his soul to ‘beat the devil’. On another level, this captivating, early gospel-influenced blues style explains why Max is so good at what he does best - being a blues singer. In this finale, he’s able to go back to the original blues sung by the blacks toiling away on the plantations with no end in sight - just more hard work and singin’ away dem ol’ blues.
Johnny Max’s vocal solo finale on ‘ride and roll’, sounds much like the originators might have sung it a century ago or more ago. Max comes across this way in his vocal delivery, because he’s in tune with the real blues, and knows how to express it well! Not to mention his talent at being able to pick an impeccable rhythm section of pros who really know their stuff and have paid their dues. This is the reason why the Johnny Max Band’s latest CD, ‘ride and roll’, is a must-listen-to and must-have to own and enjoy. The Johnny Max Band is also a must-see wherever they perform live! As the late great Marvin Gaye and Tammy Terrell once sang, “There ain’t nothin’ like the real thing. Baby.” and baby this is it!
Artist: Johnny Max Band
CD: ‘ride and roll’
Label: Pour Soul Records # JMB0022
Web Site: http://www.johnnymaxband.com/
Email: johnnymaxband@rogers.com
Additional note: Johnny Max and Chuck Jackson (vocalist/harp player for the Downchild Blues Band) host a blues radio show called “Music That Radio Forgot” every Sunday night from 10 p.m. to 11 p.m. EST on AM 1430 CHKT in Toronto, Canada. It’s available via the internet at: http://www.sundaynightsoul.com/ Then click www.fairchildradio.com or go directly to: http://www.fairchildradio.com/fairchild_main.asp
More info about this entertaining radio show and how to get CD’s aired, is available on Johnny Max’s web site. Or email: sundaynightsoul@hotmail.com for additional info.
CD review - Chuck Jackson & Johnny Pennino
- ‘Chuck Jackson & Johnny Pennino - Live On Bourbon Street’
-- by Joe Curtis --
‘Live On Bourbon Street’ is the most recent live CD from New Orleans sax man Johnny Pennino and vocalist/harp player Chuck Jackson of the Downchild Blues Band. It was recorded live at the Jazz Parlor on Bourbon St. in New Orleans, in 2004.
Also starring in this great live New Orleans jazz combo is Pennino’s keyboard playing sidekick, Richie Ladner along with renowned Dr. John drummer Freddie Staehle. Ladner’s musical roots go back to the late ‘50s with regionally successful New Orleans-area R&B (swamp rock) band The Jokers. Their lead singer was Roland Stone, a close associate of Dr. John, with whom Stone performed in ’62 and decades later on CD in the ‘90s.
Pennino’s sax virtuosity has been recognized by his induction into the Louisiana Music Hall of Fame. Jackson is not only an amazing blues singer and harp player, he’s also the founder of the Southside Shuffle Blues Festival which happens every year at the same time - the first Thursday through Sunday every September, in Port Credit, Ontario (just west of Toronto). Pennino is one of the stars of this anxiously anticipated annual blues and jazz fest. The cover of the ‘Live On Bourbon St.’ CD is from a painting by celebrated artist/musician Stan Street. Every year he does the Southside Shuffle poster and program art.
“Over the Waves” is the rousing musical introduction to this very lively, fun CD. Pennino’s sax soloing on “Waves” has the feel of musicians marching along in the annual New Orleans Mardi Gras Parade. It finishes with a fade-out as the ‘parade’ goes marching down the street.
Jackson’s soulful vocals on “House of the Rising Sun” are just out of this world, and are fully complemented by his impeccable harp playing. Richie’s piano soloing is rousing and full of life. Pennino’s energetic sax solo is like nothing you’ve ever heard before - it’s that good! Added to this is Jackson’s wild scatting, which ends this tune. It’s followed by the classic “Mack the Knife”. Jackson’s vocals are mesmerizing in “Mack” with a ‘call and response’ to Pennino’s beautifully melodic sax playing and Ladner’s driving rhythms on the ivories. Staehle’s drumming is steady and reliable, possessing a hypnotic quality -- allowing the audience to become part of his depth of performance.
The pace slows a little, but is still ‘up there’ with the bluesy “Sick and Tired”. This toe-tapping ‘complaining blues’ number is both rousing and laid back all at the same time. When Jackson sings “I had it up to here!” Ladner answers in the best way he knows, with a rousing boogie piano solo. Staehle locks it tight with his precise drumming, while Pennino conveys the atmosphere of the ‘bad side of town’ and everything that goes with it, in his heart-wrenching sax soloing.
The pace picks up considerably with the lively, upbeat “Pennies From Heaven”. Jackson’s bouncy vocals sound somewhat like a trumpet solo from the late, great Louis Armstrong. His scatting part way through gets Pennino to wail his ‘saxy’ delight.
“Besame Mucho” is an instrumental showcasing Pennino’s introspective sax playing, as he melodically solos all the way through. Staehle’s persistent, steady drumming provides a firm foundation for Pennino’s sax soloing. The somber mood in this tune evokes images of smoky ‘50s nightclubs and bars.
“Route 66” gets things hoppin’ with Jackson’s rousing vocals and some superb, jazzy piano soloing by Ladner that’s absolutely mouthwatering. Not to be left out of this musical galavanting, Pennino delivers some of the most soulful sax this side of ‘anywhere’. His sax-genius is followed by Jackson’s creative harp soloing and Ladner’s keyboard wizardry.
The next number is pure music heaven … “Rainy Night In Georgia”. Pennino’s sax playing response to Jackson’s vocal lament is unbelievable! This version is so good, it has to be heard to be fully appreciated.
“Just a Gigolo” was originally made famous decades ago, by the one and only Louis Prima. In this version, Jackson captures the essence of Prima’s interpretation and goes with it in his own expressive way, to sing the hell ‘outta’ this quintessential New Orleans jazz classic.
Carlos Santa’s “Europa” comes across like ‘angels wings’ in Mr. Pennino’s soul wrenching and deeply melodic sax soloing. Ladner’s sensitive interpretation of melody is played beautifully, sounding like a concert pianist’s solo with musical imagery like ‘water cascading to and fro amid the water nymphs’. Staehle’s minimalist approach in his drumming on this tune, provides just the right touch of percussion.
The finale to this thoroughly enjoyable live CD, is “Flip Flop & Fly”. It’s a boppin’, rockin’, Big Joe Turner blues tune, done with a strong New Orleans feel to it. There’s a deep musical connection between this song and Jackson and Pennino that’s not apparent on the surface. Years ago, Pennino toured extensively with the originator, Mr. Turner himself, throughout Louisiana, so subsequently played the Turner/sax version, and knew it back to front. Now he’s playing the same tune with Jackson, who just happens to be lead singer with the Downchild Blues Band. Downchild had a hit with “Flip, Flop and Fly” in 1974 in Canada, featuring then lead singer and Downchild co-founder the incomparable Hock Walsh.
In this latest Jackson/Pennino version of “Flip …” Ladner’s toe-tappin’ head noddin’ keys solo can get the hands clappin’ and the dance floor groovin’. A little “Hi Yo Silver” is added, (reminiscent of Eddie ‘the Chief’ Clearwater who made “Hi Yo” famous).
As this rousing party tune comes to an end, there’s a sinking feeling that this live concert is over, and won’t be heard again. However, since it’s on CD for the world to listen to, anyone who has a copy of it can enjoy listening to it all they want, whenever they want.
Artist: Chuck Jackson & Johnny Pennino
CD: ‘Chuck Jackson & Johnny Pennino - Live On Bourbon Street’ # MT2-004
Label: MT Productions
Year: 2004
CD Available directly from MT Productions: Email: mtangedal@sympatico.ca
More Chuck Jackson & Johnny Pennino links:
Southside Shuffle Blues Festival:
http://www.southsideshuffle.com/
CD cover art by Stan Street (artist/musician):
http://www.stanstreet.com/
Additional note: One of the highlights of this year’s 2005 Southside Shuffle, will be sax great Jimmy Cavallo (of Jimmy Cavallo and His House Rockers fame). Cavallo was featured with Alan ‘Mr. Rock ‘n’ Roll’ Freed in the iconic ‘50s rock ‘n’ roll movie classic ‘Rock, Rock, Rock’ in 1956. Cavallo will be performing with Pennino as well as Pat Carey (tenor sax player for the Downchild Blues Band), in a three-sax extravaganza appropriately entitled, ‘The Three Tenors’.
Jimmy Cavallo link:
http://www.hoyhoy.com/cavallo.htm
CD review - Blud Bros. - ‘Not What You Think’
By Joe Curtis
The Blud Bros. are a blues-related band, with religious themes in their lyrics. They describe themselves as “faith-based blues/roots, with a funk/jive feel” -- very apropos! Their great instrumentals and vocals make it easy to take their ‘messages’, profusely spread throughout their CD, ‘Not What You Think’.
An up-tempo “Dead Man Walking” opens the proceedings, with lots of energy, and vocals from Alan ‘Large Al’ Harvey declaring, “I’m a dead man walkin’ through this life.” This is followed by a funky upbeat “Twistin’ in the Wind” which features some of Roscoe Hoffman’s wild B-3 playing, along with some mighty fine bass playing courtesy of Denny Brubaker and drumming by Rich ‘Richey Rich’ Cook. The vocals and music are not related to the Dylan classic with a similar name, as you’ll hear if you give this unusually refreshing CD a listen.
“Confusing Pleasure Trap” is an upbeat swingin’ blues, with a country flavor to it. It features plenty of Hoffman’s B-3 riffs and Rich’s cookin’ drums; along with Harvey’s strong vocals and Brubaker’s melodic bass lines. The toe-tapping beat is sure to spontaneously catch the listener’s interest.
“Came & Bled & Died” is a heart wrenching blues instrumental, featuring some crying guitar licks from vocalist Harvey, reminiscent of B.B. King’s mournful playing - then later sounding somewhat like the late Roy Buchanan. Harvey’s vocals complement the mood perfectly, with lyrics like “I see the pain, and it makes me want to cry.” This tune’s got a deeply soulful premise in its instrumentals and vocals that’s satisfying in the way it comes across. Harvey’s vocals seem at times to possess the urgency of (New) Animals and War vocalist Eric Burdon.
“Joy” is an upbeat blues song that exemplifies its title in mood, perfectly. This time it’s Hoffman’s lead vocals (the only song in which he sings lead) proclaiming, “I’ve got joy most of the time.” The background vocals from Large Al et al call back in equal abandon, while the superb instrumentals reinforce this happy mood with bouncing rhythms.
“(No) Sympathy For the Devil” goes where no Stones song has gone before. Harvey sings out the devil’s activities in no uncertain terms, while the driving instrumentals reinforce the lyrical message that Mick Jagger in days gone by has so admirably done himself! There’s lots of energy in this Stones variation, along with a very cool drum solo from Cook, that’s added to with just enough of Harvey’s guitar rhythms and Brubaker’s bass lines to get the adrenalin flowing and feet tapping to its contagious beat.
“Out of Control” is a medium tempo blues scorcher that possesses enough intensity to get things going nicely. Harvey’s determined vocals declare, “I’m out of control, and it sure feels nice!” Some amazing piano and organ riffs from Hoffman, help lift this tune to great heights of musical and listening fulfillment - lending strength of purpose to Harvey’s already stimulating vocals and thoroughly serene lead guitar riffs.
“Prodigal Son” features some of Harvey’s mouthwatering slide playing. His amazing slide virtuosity is reminiscent of Toronto slide-master Brian Cober’s (of The Nationals) double-slide genius -- and ironically features a similar vocal intonation to Cober’s singing, in Harvey’s vocals on this prodigiously enjoyable “Prodigal Son” -- with its always meaningful storytelling lyrics - (another feature of the aforementioned Cober.)
“See the Light or Feel the Heat” talks about going to Heaven or Hell -- but makes it sound so cool, that the message can go right by the listener; as the rousing blues instrumentals and vocal melody captures interest in the best way possible! Hoffman’s wild piano soloing blends beautifully with Harvey’s heavy-duty guitar leads and Brubaker’s throbbing back beat bass lines. This fine mixture really adds to the zest in this surprisingly easy to take blues tune, with Harvey’s vocals imploringly calling out, “You gotta see the light; or you’re gonna feel the heat!”
“Spritual Warfare” is a song title whose image this writer doesn’t much care for. Unfortunately the bleak feel of this song itself, also lacks the positive outlook of the other songs on this CD. Its message is also a letdown, compared to the other tunes on this great CD -- which offer much in every way - lyrically and musically!
The Blud Bros. easily redeem themselves with, “Weighed In the Balance”. “Weighed …” is a recounting of the Biblical tale of the King of Babylon. This tune is very effective, when Harvey’s vocals, backed by the other Blud Bros. vocal harmonies, mention the time when Daniel tells the King, “If you don’t know that you don’t mess with God; then you don’t know the truth at all.” All this musical and vocal virtuosity is performed to the beat of a “Hootchie Cootchie Man” rhythm and melody theme. Lyrics like “Hell is hot ..People are dying to get in.”, lend some humor to this tune, which when listened to, is not done with a heavy-handed approach at all. It’s very laid back -- and the ‘heavy’ found here, is basically a heavy-duty blues backbeat that can’t be beat!
The finale to this surprisingly good blues CD (with a religious premise) is a wild, upbeat tune called “Strong”. It features Hoffman’s wild keys playing and Cook’s hard-driving drumming. Harvey’s vocals are almost subliminal in their effect, in the sense that the last three words in the lyrics of this song (and CD) say, “He loves you!” This abrupt but poignant ending to this song and CD has the ability to imbue the listener with an affirmation of God and his feelings towards us.
This is not the usual blues CD this writer has listened to in the past, but it’s definitely one I’ll listen to again in the future. It’s highly commendable the many ingenious ways in which the Blud Bros. successfully capture their audience’s attention on this CD. That takes real talent, which these guys definitely have!
The Blud Bros. ‘Not What You Think’ is a great CD on many levels and for many reasons -- and is definitely ‘not what you think’! It might also be more than you expect!
Artist: Blud Bros.
CD: ‘Not What You Think’
Year: 2002
Available at: http://cdbaby.com/cd/bludbros
Blud Bros. Website: http://www.bludbros.com/
Email Alan ‘Large Al’ Harvey: largeal@bludbros.com